AS A FORM of popular music, instrumental guitar-based rock first found popularity in the early Sixties. A few years before that, with early practitioners of the form such as Duane Eddy, with his simple low-string melodic lines such as “Rebel Rouser,” and Link Wray, who gave us the feedback-laden “Rumble” (which featured one of the first uses of the power chord), the genre quickly took hold with young guitarists everywhere.
Its rudimentary style made it easy for almost any guitarist to quickly fret a few chords, play some simple melodies, add an effect like reverb and presto! — a tune was born. Across the pond in England, the Shadows reigned as instrumental kings for the first few years of the Sixties, beginning with their U.K. chart-topper “Apache” in 1960. The Shadows’ lead guitarist, Hank Marvin, with his Fiesta Red Fender Strat (he was the first musician in England to own one) — resplendent with its maple fingerboard and gold-plated fittings, not to mention its owner’s unique use of the vibrato arm — would influence an entire generation of British guitarists that followed in his wake, from Eric Clapton and Jeff Beck to Pete Townshend and David Gilmour.
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Diese Geschichte stammt aus der July 2020-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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