IN MARCH 2020, when it became clear that Volbeat (and every other artist) would be off tour for months due to the Covid outbreak, frontman Michael Poulsen started writing the follow-up to the band’s 2019 album, Rewind, Replay, Rebound. As a gift preview for fans, Volbeat released two songs from the album — “Wait a Minute My Girl” and “Dagen Før” — on June 2, 2021. The former is a ramped-up slab of psychobilly that sounds like the Misfits crossed with the Cramps (replete with piano and sax solo). The latter is a passionate rock ballad with female vocals, light arpeggios and long, slow guitar hooks. Both songs were started before the pandemic and were two of the first recorded for Volbeat’s eighth studio album, Servant of the Mind. The upbeat tunes were well-received; “Wait a Minute My Girl” became the band’s ninth single to top the Billboard Mainstream Rock chart.
Anyone who thought the rest of Servant of the Mind would offer more of the same — when it surfaced six months later — was in for a surprise. Almost all of the songs on the new record are as heavy as Metallica’s Black Album (one of Volbeat’s greatest influences), and almost as dark.
Diese Geschichte stammt aus der May 2022-Ausgabe von Guitar World.
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Diese Geschichte stammt aus der May 2022-Ausgabe von Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
