THE LAST THING CHILDREN of Bodom/Bodom After Dark frontman Alexi Laiho ever wanted to do is disappoint fans. That’s why he refused to cancel any shows in late 2009 after the band’s tour bus took a hard turn and he fell out of his tour bus bunk in the middle of the night and crashed to the ground, breaking his clavicle and a rib. The next day, Laiho was in agony, but he gutted it out and played the show. Two nights later, at the Uptown Theater in Kansas City, Missouri, he again persevered, but he was visibly angry that he wasn’t at the top of his game.
“I gotta tell you something, man,” he said before Bodom played “Hellhounds on my Trail.” “I fucking apologize. I can’t fuckin’ move and I can’t fuckin’ sing and I’m fuckin’ just standing here like a fuckin’ idiot, so try to bear with me, alright?”
Energized by Laiho’s bravery and tenacity, the crowd cheered, which, perhaps, raised his spirits and he summoned the strength to make it through the rest of the gig. Laiho grit his teeth night after night, and with the help of some heavy painkillers he made it to the eleventh gig of the No Fear tour with Lamb of God and Municipal Waste. That’s when his body fought back.
Two songs into the set, as Bodom played “Hate Me!,” Laiho hunched over and noticeably favored his side. The band started the third song, but Laiho was in too much agony to keep playing. He angrily flung his Jackson and stormed offstage. “I think my rib was sticking into one of my muscles,” he later told this writer. “I felt like someone was stabbing me with a knife into my lungs and my heart. So I just couldn’t keep going.”
Diese Geschichte stammt aus der July 2021-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 2021-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston