AFTER NEARLY 20 years in the game, the Black Dahlia Murder are an undeniable institution of death metal. Their pummeling fusion of American death metal’s rhythmic churn, European death metal’s melodic sensibilities, prog’s technicality, and the vicious riffing of classic thrash has developed over the years into a truly unique sound; this is a band with a distinct musical personality that strikes a remarkable balance between innovation and familiarity. Throughout their discography, the Black Dahlia Murder has shirked metal’s ever-shifting trends, electing instead to hone and elaborate upon their own sound. With their latest LP, Verminous, the Michigan-bred crew have spawned their most cohesive and focused collection of songs yet.
Verminous is a 10-track maelstrom of stank-face-inducing riffs and searing lead guitar vignettes that recall the melodic intrigue, whammy bar abuse, and wide vibrato drama of your favorite Eighties guitar heroes. The man behind Verminous’ stunning lead guitar work (as well as the album’s production and much of its songwriting) is the band’s newest member, Brandon Ellis. While Ellis was on hand for the band’s last record, 2017’s Nightbringers, he was fresh to the group at the time and admittedly still finding his sea legs. On Verminous, his contributions as a songwriter, producer, and soloist provide the X-factor that makes the album a fresh and streamlined take on the Black Dahlia Murder’s sound.
GW caught up with Ellis and founding member and rhythm guitarist Brian Eschbach to discuss crafting the band’s new record, their bromance as co-guitarists, and Ellis’ background as a student of Eighties guitar heroics.
Diese Geschichte stammt aus der Holiday 2020-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der Holiday 2020-Ausgabe von Guitar World.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
