Continuing this issue’s customisation theme, deputy editor David Mead heads off to Bare Knuckle Pickups in Cornwall to try his hand at the deceptively difficult art of winding pickups, embarking on his very own PAF to enlightenment…
We’ll begin with a confession: w once upon a time, I was a serial pickup-changer. Every time I bought a new guitar, the stock pickups would be out of it before you could say “knife”. The guitars from that era that are still with me – which is most of them – have a range of Seymour Duncan Alnico Pro II single coils, Custom Custom humbuckers, David White Old Glories and, more recently, a Bare Knuckle here and there. When I switched to playing acoustic guitar almost exclusively back in 2005 or thereabouts, the madness ceased. I mean, they tried to make me go to rehab, but I said, “No, no, no…”
All this being said, one of the projects that I have been meaning to get around to for years is what amounts to performing a factory reset on my 2001 Les Paul Standard. I realize it’s a fool’s errand to try and transform a contemporary guitar into a true vintage piece, but I’ve always reasoned that this isn’t the point. My most admired guitar sound is to be found on Sleepy Time Time from Live Cream, performed on Clapton’s ‘Fool’ 1964 SG Standard, which would have been around four years old at the time. Not ‘vintage’ at all, then: a mere four-year-old. So the mission is to try and return my Les Paul to ‘fresh out of the box’ status… but from an early 1960s box, if you catch my drift.
When the opportunity came up to kickstart ‘Project Retro’ by winding my own pickup at Bare Knuckle HQ in Falmouth, I jumped at the chance. After all, I’d watched the process before, both on video and in the flesh, and so I reasoned, ‘How hard can it be?’ I was in for a shock. It’s hard.
A Proper Wind-Up
Diese Geschichte stammt aus der Summer 2019-Ausgabe von Guitarist.
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Diese Geschichte stammt aus der Summer 2019-Ausgabe von Guitarist.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more