In recent years Bernie Marsden visited Peter often. They played together and shared stories of life on the road back in the days when pop was being overtaken by rock and blues in the teenage mindset. Bernie’s memories of Peter reveal a side his fans didn’t see, a man with a wicked sense of humor and enduring resistance to the rock ’n’ roll limelight.
What was your reaction to the news about Peter’s passing?
“It hit me hard. Now you get to that reflective part when I think of all the things I could have asked him and didn’t and all the things I should have said to him… It was a shock and a surprise, you know because he was all right; he was okay in himself, he was in a pretty good place and so I’m glad about that. I’m just sorry that I won’t get to see him again. But then you look back and say, ‘Well, treasure all the times I’ve had over the last couple of years with him.’”
When did you last see him?
“I saw him on the day of the gig [the Allstar Peter Green Tribute at The London Palladium on 25 February this year]. He gave me a piece of his artwork and he signed it to me and he dated it that day. So, of course, that takes on a huge significance now because it’s the day of the gig. I arrived at his house around lunchtime and during the afternoon we were talking about Robert Johnson or fishing or guitars and I said, ‘You know what’s on tonight, don’t you?’ and he went, ‘Yeah…’ and I told him we could go and that I’d drive him up and go with him and he just said, ‘Nah, a cup of tea with you would be just as good.’
Diese Geschichte stammt aus der September 2020-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der September 2020-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more