It Is, Undoubtedly, The Guitar Sale Of The Century. On 20 June, David Gilmour’s Most Prized Guitars, Including The Celebrated Black Strat, Go Under The Hammer In New York. We Join Gilmour To Hear Why He’s Letting Go Of So Many Of His Most Cherished Guitars – And Examine Some Of The Icons On Sale
When Pink Floyd guitarist David Gilmour recently announced that he planned to auction his guitar collection, including the priceless instruments heard on such albums as Dark Side Of The Moon and The Wall, the six-string world gasped. Many chalked it up to a momentary lapse of reason, but he says the idea had been brewing for quite some time.
“It’s something I’ve thought about for years,” says Gilmour in his soft-spoken but deliberate way. “These guitars have served me very well. They’ve given me songs and tunes, but I thought it would be good for them to move on and create new music with different people. Hopefully, they’ll also raise a fair bit of money, which I plan donate to charity, and that will do some direct good in this world with all its difficulties.”
Not since Eric Clapton auctioned many of his instruments back in 2004 at the James Christie salesroom at Rockefeller Center in New York has an event caused such anticipation in the guitar community. Set for 20 June at Christie’s in Manhattan, the auction of Gilmour’s 120-plus guitars is expected to reap millions. Among the most sought-after instruments will be his extremely rare #0001 Fender Stratocaster, used on Another Brick In The Wall (Part II); a Candy Apple Red 1984 ’57 Reissue Strat that served as his main performance guitar for over two decades; and the 12-string Martin acoustic heard on Pink Floyd’s Wish You Were Here.
Diese Geschichte stammt aus der April 2019-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der April 2019-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more