Throughout the 1950s, Gibson continuously revisited and reworked its Les Paul range. One of the most significant changes occurred in 1958 when, in response to customer requests, Gibson modernised its single-cutaway Les Paul Junior, TV and Special models with double-cutaway body designs. Featuring rounded horns, the revised Junior and TV guitars began shipping that year, followed by the Special in early ’59. Then in late ’59 Gibson rebranded the Les Paul Special and Les Paul TV; renamed the SG Special and SG TV respectively, it marked the beginning of the end for Gibson’s original Les Paul range of solidbody electrics that began in 1952 with the Les Paul Model (Goldtop) .
By 1961, these rounded double-cutaway guitars, along with the Les Paul Standard/ ’Burst and Les Paul Custom’s classic singlecutaway form, had been superseded by a profoundly different design sporting a thin bevelled body with pointed double cutaways. Although this unmistakable profile is commonly referred to as an ‘SG’, it wasn’t until 1963 – following the expiration of Les Paul’s endorsement contract in 1962 – that the Junior, Standard and Custom joined the TV and Special in receiving their official SG model designation.
It was a notably creative period in the electric guitar building industry. As the market gathered momentum in the wake of rock ’n’ roll, Gibson president, Ted McCarty – acutely aware of the continued success enjoyed by competitors Fender and Gretsch – responded to the booming demand by testing the water with innovative designs. Still, despite being highly coveted today, many of these formative instruments were not considered successful by Gibson at the time and were therefore subject to ongoing modifications and/or discontinuation.
Diese Geschichte stammt aus der March 2020-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 2020-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more