Despite their future vision sheen, Fishman’s Fluence pickups reference the past’s classic tones that we guitar players desire. How exactly do they do that?
At this year’s NAMM show, Fishman took the wraps off three new Fluence signature pickup sets for Tosin Abasi, Killswitch Engage and Will Adler, adding to those already released for Stephen Carpenter, Devin Townsend and Greg Koch. It’s more than indication that, since its launch in 2014, Fishman’s Fluence pickup technology is being taken very seriously. The Fluence concept is based around a solid core instead of a coil of wire, although the magnet structures are pretty conventional. Then there is a preamp (onboard, with the exception of the Greg Koch ‘Gristle-Tone’ set) that shapes what we hear and offers multi ‘voicings’. The active pickups can be powered by a standard nine-volt block battery, although various battery packs can be recharged from their USB sockets. It all amounts to a pretty through redesign of the electric guitar pickup as we know it.
“The starting point, sound-wise, of the Fluence solid core coils is a neutral wide bandwidth response, so we have the flexibility to steer it in different directions,” explains Fishman’s senior electrical engineer John Eck.
Would that in itself be a useful sound? “You’d get something that you might find interesting for some use, but if you’re trying to recreate more classic tones, very specific tones, it wouldn’t get you there.”
Diese Geschichte stammt aus der May 2017-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 2017-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more