Eric Clapton’s work on the 1966 John Mayall album Blues Breakers inspired a whole generation of would-be blues guitarists as he defined the tone and expression that a great guitarist can achieve. And this particular great player found a great instrument to make his music – an original Gibson Les Paul with a sunburst finish. The cover of the record showed Eric reading the Beano comic, so it became known as the ‘Beano’ album, and the instrument he used became known as the Beano guitar.
Many guitarists love Eric’s playing on the ‘Beano’ album. One such musician was Billy Gibbons, who was, at the time, a budding young guitar player in Texas. “The sound was just so fierce and so attractive,” he says, “and the appeal drew everyone’s curiosity to attempt to suss out where this sound was coming from. The photograph of Eric on the back cover was a clue. We said, ‘Ah, look in the background, there’s a Marshall, but it’s not very big, and ah, look at that. They don’t make those anymore – but it’s one of those Les Pauls!’”
The actual guitar Eric used has since taken on an almost mythical quality, not least because it was stolen not long afterward and has never been seen since. It was the short-lived variant known today as the ’Burst, for its sunburst finish, produced by Gibson from 1958 until discontinued in 1960 and replaced by the new double-cutaway SG design. By the mid-60s, the original single-cut Les Pauls were being called the “old model”.
Diese Geschichte stammt aus der February 2021-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 2021-Ausgabe von Guitarist.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more