Donald Trump was still months away from being elected president when Stephen King began writing his upcoming novel. But The Institute — out September 10th and centered on a 12-year-old boy stolen from his parents in the night and locked up in a mysterious facility — is likely to remind readers of certain immigration policies. “I can’t help but see similarity between what’s going on in The Institute and those pictures of kids in cages,” says King. “Sometimes fiction outpaces fact.”
This isn’t the first time a King book predicted the political future: His 1979 book The Dead Zone was about a Trump-like aspiring president threatening global apocalypse if he took office. “Fiction has foreseen Trump before,” says King, “always as a nightmare. Now, the nightmare is here. But I don’t want to force my worldview on people. I’m not George Orwell, and this book isn’t 1984.” and it scared the living shit right out of them,” King says. “They couldn’t wait to go back and see it again.”
Diese Geschichte stammt aus der September 2019-Ausgabe von RollingStone India.
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Diese Geschichte stammt aus der September 2019-Ausgabe von RollingStone India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
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Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
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Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
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