Growing up in an Indian household, in a country steeped in culture and heritage, one starts their beauty journey with traditional skincare—secrets our mothers and grandmothers have sworn by for generations. I grew up with my mother and grandmother’s nuskas, or tips they’d learned from their mothers, passed on from an older generation. Every few days, they would whip up a nourishing face mask or moisturising cream with ingredients in our kitchen—besan, kesar, ghee, and almonds; ingredients to which Indian women have contributed their bright, shining eyes, lustrous hair, and supple skin for centuries. They would even make their own kajal, using the soot from diyas we lit at home, the ash emphasising their eyes and also cooling and brightening them with regular use. Every evening, I would wake up to my grandmother scenting the house with camphor and her soothing blends of resins from our prayer room. Their everyday practices cemented my beauty ethos. I saw the benefits of natural ingredients and ancient practices firsthand; it never occurred to me that skincare could be any other way.
In ancient times, botanicals were used to cure ailments and to enrich and enhance the user. ‘RoopNikhaarna’ is a traditional Indian practice that dates back to older civilisations of Mohenjodaro and Harappa. It is said that the people of this era had highly evolved ideas of self-beautification and offered a large display of cosmetic usages both for men and women. Some of the botanicals used were so mystical and sought-after that they were considered deities in their own right.
The Dye is Cast
Diese Geschichte stammt aus der July 05, 2021-Ausgabe von India Today.
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Diese Geschichte stammt aus der July 05, 2021-Ausgabe von India Today.
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Shuttle Star
Ashwini Ponnappa was the only Indian to compete in the inaugural edition of BDMNTN-XL, a new international badminton tourney with a new format, held in Indonesia
There's No Planet B
All Living Things-Environmental Film Festival (ALT EFF) returns with 72 films to be screened across multiple locations from Nov. 22 to Dec. 8
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THE MAHINDRA INDEPENDENCE ROCK FESTIVAL PROMISES AN INTERESTING LINE-UP OF OLD AND NEW ACTS, CEMENTING ITS REPUTATION AS THE 'WOODSTOCK OF INDIA'
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Nikhil Advani’s adaptation of Freedom at Midnight details our tumultuous transition to an independent nation
Family Saga
RAMONA SEN's The Lady on the Horse doesn't lose its pace while narrating the story of five generations of a family in Calcutta
THE ETERNAL MOTHER
Prayaag Akbar's new novel delves into the complexities of contemporary India
TURNING A NEW LEAF
Since the turn of the century, we have lost hundreds of thousands of trees. Many had stood for centuries, weathering storms, wars, droughts and famines.
INDIA'S BEATING GREEN HEART
Ramachandra Guha's new book-Speaking with Nature-is a chronicle of homegrown environmentalism that speaks to the world
A NEW LEASE FOR OLD FILMS
NOSTALGIA AND CURIOSITY BRING AUDIENCES BACK TO THE THEATRES TO REVISIT MOVIES OF THE YESTERYEARS