OVER the past two decades, India’s ranking in world cricket moved up dramatically, both on and off the field. Mind you, this is not coincidental—these two developments are closely linked. A leisurely game associated with the English countryside became India’s favourite sport which on most days easily tops Bollywood blockbusters for television rating points. An important element of this transformation is the commercialisation of the sport. From a genteel, noble and aristocratic sport, cricket today has transformed into a more indigenised game—a noisy, brazen, and vivid commercial extravaganza catering to its biggest audience.
But don’t let the so-called purists fool you with the view that this takes away from the charm of cricket. It is not cricket’s quaint legacy of the Raj, but this sound and fury that has made cricket commercially successful and India the centre of world cricket.
Commerce made its entry into the sport in the seventies. Many will remember the first three cricket World Cups between 1975 and 1983 as the Prudential Cup, with the eponymous insurance firm being the sole sponsor of all one-day International matches hosted by the ICC. The Benson & Hedges trophy in Australia was among the most sought-after tournaments in the eighties. But it was not until 1996 when the first World Cup was co-hosted by India, Pakistan, and Sri Lanka that the old Anglo-Australian axis that ruled World cricket was shaken.
Diese Geschichte stammt aus der May 18, 2020-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der May 18, 2020-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee