They were to inherit the earth. Start-ups, the playfield of the young and the restless, have had a hard reality check. What gives?
We don’t know the ceremonial rites followed at the collective ‘start-up funeral’ in Bangalore last month—was it cremation, or burial? And if the latter, was it in foetal position, in padmasana or standing upright? Upside down, nose first, may have been appropriate for some of them. That would visually match the steep clines observed on the performance graphs. Yes, many of them are still fighting. And yes, in India we believe in rebirth. But the story of the post hype years is most elegantly caught in some startling data.
Last week, there were talks of the beleaguered e-commerce major Snapdeal getting some much-needed oxygen supply from the funding arm of Softbank. The piece of statistic to zoom in on was the valuation: the seven-year-old company, set up by two Wharton and IIT-D alumni, was being considered at under $3 billion. That’s less than half of the $6.5-7 billion it commanded when it last raised funds just a year ago, in February 2016. This came weeks after Snapdeal sacked some 600 people and wound down some of its non-core businesses like Shop.
In December 2016, after running it for four years, India’s largest e-commerce company Flipkart pressed the shutdown button on DigiFlip, a company it had started to sell computers and accessories. Around the same time, Flipkart’s logistics arm Ekart discontinued its hyperlocal delivery and its courier service. This January, a Fidelity-managed mutual fund pegged the valuation of Flipkart at $5.56 billion. Just a year-and-a-half ago, in May 2015, at its peak, Flipkart commanded a valuation of $15.5 billion. An erosion of $10 billion in less than two years (to get the scale, that’s more than the whole NREGA outlay for 2017-18).
Diese Geschichte stammt aus der March 20, 2017-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 20, 2017-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee