A world record 104 satellites at one go in February, four rockets in four months, indigenous cryogenic engines with heavy-lift capability…why does ISRO tick where almost every other government department fails in India? Put it down to work ethic.
TAKE a step back from the techno-Babel that surrounds you: the incessant chatter of satellite TV, your OnePlus5 pinging as the nearest Uber locks into your GPS, the urgent messages to link your UID to PAN to bank account.... Take a step back from all that, and you see a void. Most of what we fill our lives with is borrowed modernity. It’s the 21st century, one that apparently belongs to Asia, yet most of the time we need to take solace from ancient glory. at frustrated moments, one might even feel India’s contribution to the things that run our world pretty much adds up to that old concept we invented: zero. In the private sphere, reverse engineering rules. But the starkest failures belong to the zone that had both the monetary support and the mandate: the public institutional space.
The oft-quoted example is that of the Indian Railways. Its accomplishments—or lack of them—can be easily comprehended. (Look only at the number of miles of new tracks added after the British left. Or the primitive sanitation, or the coaches that have stayed essentially unchanged from way before Gabbar Singh’s hordes chased after the heroes in Sholay.) But there’s also the Defence Research and Development Organisation (DRDO). The organisation whose brief it was to make India self-sufficient in defence technology is nearly 60 years old—it has to be judged by the arms purchase deals from the West or Israel that still make the headlines. (Unless, as the wags quip, you count the Leh berry juice as a strategic asset.) It’s against this empty canvas that one institution stands out in sharp relief: the start-up that Vikram Sarabhai founded on I-day in 1969.
Diese Geschichte stammt aus der July 24, 2017-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 24, 2017-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee