The fact that in the 70 years of its existence, India’s Supreme Court has seen only eight woman judges and one Dalit chief justice is testament to the reality that the composition of our judiciary is not representative of our population. At present, women constitute a shockingly low 11 per cent of high court judges and there is not a single Dalit chief justice in any high court. The numbers are surprisingly different at the level of subordinate judiciary—28 per cent of judicial officers were women (as of 2017). So, it prompts us to ask questions.
But first, that a diverse judiciary is necessary is a given: it boosts public confidence in the institution and lends it democratic legitimacy. When the Supreme Court diluted the prevention of atrocities act, provoking outrage from Dalits, many openly traced it to skewed representation in the judiciary. It is logical that greater diversity of views on the bench will contribute to quality adjudication that draws from various life experiences and understands the different realities of litigants from varied backgrounds.
An inadvertent filter
The question now is, how do the numbers get so skewed? And what can we do? A good starting point may lie in exa mining the mode of selection/appointment—we are inc lined to think this plays a pivotal role in inadvertently filtering out certain social groups. For a situation without that filter, look at the threestage process to become a judicial magistrate or civil judge: two exams and an inter view, open to fresh law graduates. That is, an objective contest based purely on knowledge, irrespective of socio economic background—perhaps the best explanation for the diversity at that level. By contrast, appointments to the higher courts are made through the collegium system, where the Chief Justice of India and senior Supreme Court judges do the selection.
Diese Geschichte stammt aus der February 03, 2020-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der February 03, 2020-Ausgabe von Outlook.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee