They are a bunch of vandals. They are the spring itself. They are freeloaders and parasites. They are the gene map of the future, of possible futures. They are an unruly, seditious mob. No, they really are the ones who bring life to democracy, the ones in whom freedom breathes its purest air.... Students! It’s often with a note of exasperation or scorn— one that hides a deep suspicion, even dread—that the world outside looks at university campuses. For all the belittling, nothing outside of war and religious/cultural animus seems to bring about such stark binaries of opinion as the image of protest ing students. Why? Each day now brings profoundly troubling news. Something or the other is in deep crisis—the Constitution, political morality, entire sectors of the economy, the climate, and all of them at once. But if you looked at mainstream or social media, it would appear as if the biggest question in front of the nation is a bunch of students protesting. Why? Because it is war. Of another sort. The image of angry, dissenting students has come like a regular punctuation mark, an irritating comma, in recent years. That too in a field of seeming unanimity otherwise, whether in terms of electoral politics or mainstream headlines. It happened first on the FTII campus in Pune, then the Rohith Vemula suicide capped an extraordinary season of defiance in Hydera bad. It takes JNU, however, to get the citizenry really upset. The question everyone asks is: why are the students angry? Almost, how dare they protest? And, shouldn’t they be studying and getting a job instead?
Diese Geschichte stammt aus der December 09, 2019-Ausgabe von Outlook.
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Diese Geschichte stammt aus der December 09, 2019-Ausgabe von Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
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Suprabhatham Sub Judice
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Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee