Rise of the Sensitivity Reader

Overzealous gatekeeping on race and gender is killing books before they're published or even written.

- By Kat Rosenfield

ALBERTO GULLABA JR. was the type of author that publishers dream of having in their catalogs. A first-generation college grad, a child of working-class immigrants, and the recent recipient of a Master of Fine Arts degree from the prestigious University of California, Irvine, program, Gullaba was a debut novelist with a gift for visceral and vivid prose. His first book, University Thugs, had all the makings of a smash hit. A work of character-driven literary fiction steeped in immersive vernacular, it tells the story of a young black man named Titus who is trying to make his way at an elite university in the wake of a criminal conviction-all while the school is being rocked by racial scandals, not unlike the racial reckoning that consumed so many American institutions in the summer of 2020.

Gullaba's agent knew he had something special, and he was excited for a big submission push. But on the eve of sending the manuscript out to publishers, the agent suggested Gullaba update his bio to emphasize his racial identity. Publishers, he reasoned, would be excited to support a young black writer fresh on the literary scene.

There was a problem: Gullaba is Filipino.

"We had never met in person," he tells me, laughing. "I guess you can't really judge who's black or not based on a name like Alberto, and Gullaba is just ethnically ambiguous enough that it could be from Africa? I don't know."

What was clear, immediately, was that something had changed. The agent wasn't excited anymore. Actually, he seemed downright nervous, and he started asking for significant changes to the manuscript.

"The guy's frightened," Gullaba says. "God bless him, that's the reality of that world."