The World Kodak Made
The Atlantic|July - August 2021
The tech giant of the 20th century changed the way Americans saw themselves and their country— and built the city where it made its home. Now Kodak and Rochester are trying to reinvent themselves, and escape their history.
By Kaitlyn Tiffany
The World Kodak Made

When I was in fifth grade, my class took a field trip to the George Eastman Museum, in Rochester, New York, as the fifth graders at my rural elementary school, 30 minutes south of the city, did every year. Housed in a Colonial Revival mansion built for the founder of the Eastman Kodak Company in 1905, the museum is home to one of the most significant photography and film collections in the world. But our job there was to stare at old cameras the size of our bodies, marvel at the luxury of having a pipe organ in your house, and write down what a daguerreotype is to prove that we’d been paying attention. At the end of the tour—in a second-story sitting room full of personal artifacts—we were presented, matter-of-factly, with a copy of Eastman’s suicide letter, dated March 14, 1932: “My work is done. Why wait?” Eastman shot himself in the heart with a Luger pistol at the age of 77.

Diese Geschichte stammt aus der July - August 2021-Ausgabe von The Atlantic.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der July - August 2021-Ausgabe von The Atlantic.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.