The 2020 candidate is running a populist campaign built on dramatic ideas. Is it enough?
Voters encountering Elizabeth Warren on the presidential campaign trail these days often seem surprised. After a packed gathering at an elementary school in Concord, N.H., in April, a 40-something woman told me she had expected Warren to be more like Hillary Clinton but found them miles apart.
A college student who caught Warren’s speech in Hanover said he was perplexed to learn that a woman once described by the U.S. Chamber of Commerce’s political director as a “threat to free enterprise” in fact believes in entrepreneurship and markets. And at an event in a Portsmouth high school cafeteria, a retired teacher told me he’d heard Warren was a “Ted Cruz–like partisan” but instead found her charming. “She seems like a real doll,” he shrugged. “Can I say that?”
Warren first rose to fame for her withering interrogations of miscreant bankers and evasive government officials during the financial crisis 10 years ago. Since then, powerful critics in the Republican Party, as well as her own, have painted her as too liberal, too divisive, too wonky, too “strident”—that freighted euphemism so often applied to assertive women. So when I sat down with the Massachusetts Senator on a recent Tuesday, in a windowless office in Washington, I shared those voters’ surprise.
As we spoke, Warren danced in her seat, talked effusively about her family and offered a series of funny extended political metaphors borrowed from HBO’s Game of Thrones. At one point, as I struggled to formulate a question, she intuited what I was trying to ask and, conveying her readiness, extended her hands, locked her elbows and began gently flapping her arms like a bird preparing to take off in high winds.
Diese Geschichte stammt aus der May 20, 2019-Ausgabe von Time.
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Diese Geschichte stammt aus der May 20, 2019-Ausgabe von Time.
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