King Charles III, in solemnity, wearing the St. Edward's Crown and holding the Sovereign's Sceptres in Westminster Abbey on May 6.
As he stood in for his ailing 96-year-old mother at the opening of Parliament in May 2022, it was hard not to catch Prince Charles gazing mournfully at the Imperial Crown next to him on a velvet cushion. The irresistible thought bubble his expression suggested was “Mummy, when?”
Cue trumpets. On May 6, 2023, the 74-year-old man who spent more than five decades in the waiting room of his destiny—longer than any Prince of Wales in history—finally walked through its door. King Charles III by the Grace of God, of the (still) United Kingdom of Great Britain and Northern Ireland and of His Other Realms and Territory, Head of the Commonwealth, and Defender of the Faith, had placed on his head by the Most Rev. Justin Welby (Archbishop of Canterbury) the nearly 5-lb. solid gold St. Edward’s Crown at Westminster Abbey. Crowned alongside him was the 75-year-old woman who has herself shown years of shrewd, strategic patience: Queen Camilla. Even the baleful stare of Prince Harry, who blurted late that he would attend the ceremony—but without Meghan— cannot throw shade on the former mistress’s vindication.
The coronation procession, with Queen Camilla, inside Westminster.
Diese Geschichte stammt aus der May 22 - 29, 2023 (Double Issue)-Ausgabe von Time.
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Diese Geschichte stammt aus der May 22 - 29, 2023 (Double Issue)-Ausgabe von Time.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
