![Wild at art](https://magarticles.magzter.com/articles/618/402193/5e1d9c61436ff/Wildat-art.jpg)
At the beginning of his career David Yarrow was photographing sports stars and not wildlife. Aged just 20, he shot an iconic image of footballer Diego Maradona holding the FIFA World Cup aloft after Argentina had won the 1986 final against West Germany in Mexico City. But, despite naming his early photographic heroes as legendary British sports photographers Eamonn McCabe and Chris Smith, Yarrow quickly realised he was in a crowded field.
He explains, ‘I remember being at an Olympic Games… I thought I’d got a good shot and then there were six other adjoining photographers that had exactly the same image. That was only going to go one way with motordrives, digital, frames per second, improved telephoto lenses and improved resolution in low light. With sports photography, even back in 1990, I worried that it was going to become a space characterised by over-supply of imagery.’
Yarrow took a break from taking pictures for a living to go into the world of finance. He didn’t return to it with gusto until around 2003, after his marriage fell apart, when photography became an ‘escape’. With a refreshing candour he reveals his path to photographing wildlife and warns some of his views might be ‘unpalatable’. He notes, ‘There are four or five genres of photography that take up about 85% or 90% of the population of photography… so you’ve got sport, female form, landscape, wildlife and still life.’
Yarrow explains, ‘Female form photography is f***ed, but it’s only really been f***ed in the last three years because of MeToo, the sense of female empowerment and the gratuitous use of the female form. If someone is going around with a camera photographing naked women I think the world is increasingly questioning why they’re doing it, because they can’t be doing it for commercial gain.’
Diese Geschichte stammt aus der January 18, 2020-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der January 18, 2020-Ausgabe von Amateur Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
![Zanele Muholi](https://reseuro.magzter.com/100x125/articles/618/1748283/2TcA3nm0x1720094295421/ZANELE-MUHOLI.jpg)
Zanele Muholi
Visual activist Zanele Muholi's work is important and acclaimed. Back at the Tate after being cut short by lockdown, it's a must-see this year, says Amy Davies
![KEKS KM-Q light meter](https://reseuro.magzter.com/100x125/articles/618/1748283/XlJfQOETq1720093858319/KEKS-KMQ-LIGHT-METER.jpg)
KEKS KM-Q light meter
This tiny light meter is perfect for vintage film cameras, says Andy Westlake
![Lensbaby Sweet 22](https://reseuro.magzter.com/100x125/articles/618/1748283/Ae583bt641720093574036/LENSBABY-SWEET-22.jpg)
Lensbaby Sweet 22
This wideangle pancake lens produces a central spot of sharp focus surrounded by dramatic blur. Angela Nicholson has had some fun with it
![XCD Hasselblad 25mm F2.5 V](https://reseuro.magzter.com/100x125/articles/618/1748283/NcugtE6bQ1720093250697/XCD-HASSELBLAD-25MM-F25-V.jpg)
XCD Hasselblad 25mm F2.5 V
This ultra-wideangle lens is built for Hasselblad’s medium-format mirrorless cameras, such as the X2D 100C and 907X 100C. But how does it perform? Joshua Waller finds out
![AF NIKKOR Film supremo](https://reseuro.magzter.com/100x125/articles/618/1748283/5j50EQa7V1720092887088/AF-NIKKOR-FILM-SUPREMO.jpg)
AF NIKKOR Film supremo
Interest in film photography is growing, and the Nikon F100 could be just the camera to help you explore it. John Gilbey explains why
![Couple exposure](https://reseuro.magzter.com/100x125/articles/618/1748283/5o7AmRT-11720092467026/COUPLE-EXPOSURE.jpg)
Couple exposure
If shooting a wedding isn’t enough pressure, try adding film to the mix. Hollie Latham Hucker speaks to two wedding photographers who love capturing the celebrations of a big day with their analogue cameras
![A vital insight](https://reseuro.magzter.com/100x125/articles/618/1748283/blYU-fd9P1720092100710/A-VITAL-INSIGHT.jpg)
A vital insight
Overlooked for decades, the archive of one of Britain's greatest photographers is being brought together in a new book. Peter Dench finds out more
![Film favourites](https://reseuro.magzter.com/100x125/articles/618/1748283/7MR4gw49K1720091166284/FILM-FAVOURITES.jpg)
Film favourites
We spoke to the passionate Analogue Wonderland community to find out what their go-to films are and why they love shooting with this classic medium
![Taking snapshots seriously](https://reseuro.magzter.com/100x125/articles/618/1748283/dXW6qAIsO1720090210726/TAKING-SNAPSHOTS-SERIOUSLY.jpg)
Taking snapshots seriously
The humble snap can provide as much of an insight into time, place and culture as any award-winning war photograph or epic landscape. John Wade explains how and why
![Expired? You're hired!](https://reseuro.magzter.com/100x125/articles/618/1748283/dkhriPbhZ1720088305632/EXPIRED-YOURE-HIRED.jpg)
Expired? You're hired!
If the relatively high cost of film is putting you off analogue shooting, what about trying expired film? Miles MyerscoughHarris discusses the appeal of expired film with Geoff Harris (no relation)