Alistair Campbell
As the Technique Editor for our sister magazine Digital Camera, Alistair writes about a broad range of photographic genres. For this feature he has kindly put aside some time to discuss the benefits of using gels and also gives some tips for controlling ambient light with an artificial source. digitalcameraworld.com
Rory Lewis
Renowned for his oil painting-inspired lighting style Rory is an expert in controlling flash and shaping light to bring out drama and detail. This makes him the perfect tutor in how to use flash modifiers to direct light to the key areas of the subject and scene. Read his step-by-step tutorial over on p46. rorylewis.studio
Flash is a tricky aspect of photography to learn. If used incorrectly, the artificial light can spoil the ambience of an image, introduce harsh shadows and highlights and bring out unwanted textures. It can also create unnatural colour casts, draining the life and energy from the subject of an image. For these reasons, newcomers to photography decide quite quickly that flash should be avoided, except as a last resort.
The truth is quite the opposite. In many circumstances, flash can transform an image into something magical, vastly increasing the contrast, depth and colour fidelity.
Without flash, the photographer is reliant on natural light, which can be difficult to control. It is not possible to adjust the colour temperature and intensity of sunlight, we don't have the freedom to reposition the light source, nor the direction and angle of the shadows as they fall across our subject.
Diese Geschichte stammt aus der Issue 254-Ausgabe von Digital Photographer.
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Diese Geschichte stammt aus der Issue 254-Ausgabe von Digital Photographer.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
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