The kit lens that came with your Nikon is great for getting started, but to make the most of your photography you’ll need to explore the many and varied lenses available. Jason Parnell-Brookes and Adam Waring explain…
One of the greatest advantages of using a DSLR or mirrorless over a compact or bridge camera is the ability to change lenses. Lenses come in all shapes and sizes, from compact ‘nifty fifty’ primes that you can easily slip into a pocket, to gargantuan telephoto zooms that come in their own flight cases and are impractical to shoot with unless mounted on the sturdiest of tripods.
There are hundreds of lenses available for your Nikon, both from Nikon themselves and third-party manufacturers such as Sigma, Tamron and Tokina. But what lenses are best suited to what subjects, what is a ‘fast’ lens exactly, and what does all that confusing jargon that manufacturers tack onto the end of lens names actually mean?
Over the following dozen pages we’ll explain everything you wanted to know about lenses but were afraid to ask, as well as offering tips and tricks on how to get the most out of them. We’ve broken down lens types into five categories, though much of the information in one category applies equally well to other types of lenses.
STANDARD ZOOMS
The most useful, everyday lens that covers the majority of situations, stretching from moderate wide-angle to moderate telephoto
Travel Light
When travelling, you often need to travel light, so in these situations a standard zoom that can do everything reasonably well is ideal for shooting everything from wide landscapes to mid-range character portraits, to flora and fauna. Most standard zooms have a reasonably close focusing distance too, making them ideal for detail shots and food photography – in short, the majority of shooting situations you’ll encounter on your travels!
Take a step back
Diese Geschichte stammt aus der December 2018-Ausgabe von N-Photo: the Nikon magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der December 2018-Ausgabe von N-Photo: the Nikon magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body