The polarizer isn't just a landscape photography essential: it's the multitool of filters. Its ability to block polarized light from a specific direction reduces glare from sunlight, and boosts both contrast and colour saturation. This results in the punchier skies most people associate with polarizers, but also the ability to cut through reflections in water. If that wasn't enough, a polarizing filter's light-blocking properties allow it to double as a handy one-or two-stop neutral-density filter. Polarizers are available to suit a variety of systems and budgets. We used NiSi's new V7 Holder with True Color NC CPL (£199/$199), which can also house three 100mm filters, in addition to the polarizer.
CPL stands for circular polarizer; although our NiSi filter is quite literally a circular object, the name actually derives from the way CPLs filter light, not their shape. As such, they're available as either screw-in filters or to fit square slot-in systems, which usually have a special recess built into the holder. Not all polarizers are circular polarizers, though. Linear polarizers also exist, but the way they filter light has been known to affect metering and autofocus systems, which is why CPLS are more commonly used.
Polarizing filters can be rotated to achieve varying levels of polarization. Rather cleverly, the NiSi True Color NC CPL clips onto the V7 Holder and is rotated via a pair of thumbwheels. This means the polarizer can be paired with slot-in filters, without having to rotate the entire attachment.
Diese Geschichte stammt aus der July 2022-Ausgabe von N-Photo: the Nikon magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der July 2022-Ausgabe von N-Photo: the Nikon magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body