Dividing boxes in shots can add a simple layer of interest.
There’s more to the Mondrianesque way of composition than arrangement on a flat plane, although this underpins everything. Here’s another copy of one of his paintings, and I suggest a different way of looking at it. Apart from the arrangement of colours – the way they’re balanced dynamically – you can also see them as being held firmly in place by the intersection of black grid lines. They’re each contained in a box and, especially in photography, that can be very useful. But why photography in particular? Because one of the most basic issues in composing a photograph is organizing the natural chaos of the real world into something that resembles a point of view.
To be really basic about this: what separates a meaningless picture taken by say, a security camera, from a shot taken by you or me, is that we’re trying to make an image that’s interesting; something that hangs together, is full of intention and showing just what we want to show.
Diese Geschichte stammt aus der April 2019-Ausgabe von N-Photo: the Nikon magazine.
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Diese Geschichte stammt aus der April 2019-Ausgabe von N-Photo: the Nikon magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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