Separate Boxes
N-Photo: the Nikon magazine|April 2019

Dividing boxes in shots can add a simple layer of interest.

Separate Boxes

There’s more to the Mondrianesque way of composition than arrangement on a flat plane, although this underpins everything. Here’s another copy of one of his paintings, and I suggest a different way of looking at it. Apart from the arrangement of colours – the way they’re balanced dynamically – you can also see them as being held firmly in place by the intersection of black grid lines. They’re each contained in a box and, especially in photography, that can be very useful. But why photography in particular? Because one of the most basic issues in composing a photograph is organizing the natural chaos of the real world into something that resembles a point of view.

To be really basic about this: what separates a meaningless picture taken by say, a security camera, from a shot taken by you or me, is that we’re trying to make an image that’s interesting; something that hangs together, is full of intention and showing just what we want to show.

Diese Geschichte stammt aus der April 2019-Ausgabe von N-Photo: the Nikon magazine.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

Diese Geschichte stammt aus der April 2019-Ausgabe von N-Photo: the Nikon magazine.

Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.

WEITERE ARTIKEL AUS N-PHOTO: THE NIKON MAGAZINEAlle anzeigen
Tamron 28-75mm f/2.8 Di III RXD G2
N-Photo: the Nikon magazine

Tamron 28-75mm f/2.8 Di III RXD G2

The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still

time-read
2 Minuten  |
Summer 2024
Nikon D500
N-Photo: the Nikon magazine

Nikon D500

Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled

time-read
1 min  |
Summer 2024
Laurence Griffiths
N-Photo: the Nikon magazine

Laurence Griffiths

With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...

time-read
10 Minuten  |
Summer 2024
Ghost town
N-Photo: the Nikon magazine

Ghost town

Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities

time-read
2 Minuten  |
Summer 2024
Creative cities
N-Photo: the Nikon magazine

Creative cities

Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights

time-read
2 Minuten  |
Summer 2024
If at first you don't succeed...
N-Photo: the Nikon magazine

If at first you don't succeed...

Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance

time-read
3 Minuten  |
Summer 2024
Shoot the summer of sports
N-Photo: the Nikon magazine

Shoot the summer of sports

Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots

time-read
10+ Minuten  |
Summer 2024
Osprey & prey
N-Photo: the Nikon magazine

Osprey & prey

Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide

time-read
8 Minuten  |
Summer 2024
Superzoom lenses
N-Photo: the Nikon magazine

Superzoom lenses

These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes

time-read
5 Minuten  |
Summer 2024
Nikon Z 6III
N-Photo: the Nikon magazine

Nikon Z 6III

With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body

time-read
8 Minuten  |
Summer 2024