Action photography in genres like sports and wildlife, where you often need lightning-fast reflexes to capture fleeting moments as a high-speed subject zooms past your lens, will really put your skills to the test.
That being said, the challenge is half the fun! There’s no greater feeling than when overcoming all odds to get the perfect image. This month, we get insight from four top Canon pros Drew Buckley, Marc Aspland, Martin Bissig and Drew Gibson. Between them, these pros have shot everything from puffins on Skomer island in Wales to mountain biking races in Pakistan, World Endurance Championship racing, the Olympics and more.
Read on to see how you can perfect your autofocus technique; uncover the Canon settings you need for razor-sharp images; when to slow down your shutter speed; how to incorporate ash; and nd the gear you need to get started.
WILDLIFE PHOTOS DREW BUCKLEY
Our Canon pro’s tips on how to take award-winning nature-in-action photos
Freeze action with a rapid shutter speed
01 USING A fast shutter speed of 1/3200 sec enabled me to capture this red squirrel frozen in mid-flight, jumping between branches. Coupled with the blistering 16fps continuous drive mode on the Canon EOS-1D X Mark II, meant I had a multitude of images from the sequence to choose from – I picked the one where the squirrel’s eyes were on the focus plane. I was shooting with an EF 500mm IS lens and with low light in the woodland, so I had to use a wide-open aperture of f/4 and bump the ISO to 2500 – enabling a faster shutter speed. Ultimately, this freezes movement, rendering the subject pin-sharp and banishing any blur.
Diese Geschichte stammt aus der November 2020-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der November 2020-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!