Back in 2016 I lost my job and had to find a way to make some money. It seemed like a good opportunity to get into photography full-time, but my camera was a 40D which was pretty old at the time. I bought it back in 2008 at the annual Canon Roadshow in South Africa. I’ll never forget the moment one of the speakers told us, “folks, don’t be scared to push these cameras!” It stuck with me when I switched to a Canon EOS 1100D, still an entry-level camera, but I was dying to see just how far it could be pushed and how capable it really was.
Diese Geschichte stammt aus der April 2020-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der April 2020-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
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Sharpening a digital image also increases contrast at the edge of details
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The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
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Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
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Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
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Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
