JOIN IN THE FUN!
One of the great things about photography is being able to share your view of the world. This month, one photographer reunites subjects from more than 40 years ago! Another breaks the mold and photographs elusive birds.
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PROJECT INFO⠀⠀
NAME: Chris Porsz
LOCATION: Peterborough, UK
MISSION: Reunite and photograph people he shot back in the late '70s and early '80s
KIT: Canon EOS 5D Mark III and Canon EF 24-70mm f/2.8L II USM lens
www.chrisporsz.com
In the late '70s I had a Kodak Instamatic camera and I fell in love with street photography whilst hitchhiking around Europe. I'm self taught and even set up my own darkroom, safe to say there were a lot of hard lessons to be learnt along the way and many rolls of film destroyed. I was more interested in people than the architecture of my street photos back then, I was also more shy and I'd tend to shoot with a long telephoto lens to take candid snaps without being spotted, I think both of these aspects have changed in my style over the years.
Diese Geschichte stammt aus der Spring 2022-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der Spring 2022-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
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The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!