David Clapp heads off to the picturesque wilderness on the Isle of Eigg to go off-grid in search of stunning scenery to shoot
I turn the pages of another book, the rain running down the windows, the start of our second day on the Isle of Eigg. Scotland in the winter is always a risk. Right off the ferry, we greet our ‘taxi,’ taking us to our cottage, a Mitsubishi Shogun piled up in the back with palettes. “This is the second car I've had since I arrived here in 1968,” we're informed. The story unfolds; his last one was a classic Mini Cooper, shipped there with the owner from East London. The Shogun got so rusty that the suspension collapsed and was replaced with a railway sleeper. You would think the last straw would be when the driver’s door fell off eight years ago. That was replaced successfully with a shower curtain, complete with a plastic rail.
“Behold – the city of Cleadale!”
A few houses nestle in the gentle hills, a mile or so from the shore, with views to the beautiful Isle of Rum, calling us onwards to another potential adventure. Tim and I get the fire lit. Not only do the peat cuts and briquettes keep us warm, but they also power the hot water.
Diese Geschichte stammt aus der February 2021-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der February 2021-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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