If you’ve been into photography for any amount of time you’ll likely be familiar with the term ‘full-frame, which refers to the size of the digital sensor being close to that of a piece of old 35mm film. So if you’re not shooting on a full-frame camera does that mean you’re not getting the ‘full’ picture? In short, yes!
In this guide we take a deep dive into what makes full-frame so special and why professionals love to shoot with this larger digital format. Full-frame chips are huge! Canon’s full-frame sensors are about 160 per cent larger than its more budget-friendly APS-C counterparts, and over 21 times larger than a 1/2.5inch chip, which is found in many smartphones and compact cameras.
Canon makes its own bespoke full-frame sensors for both DSLR and mirrorless cameras, varying in resolution and sensor design, some have different ways of layering or stacking the sensor, or reordering the wiring for better performance, but that’s not too important here. What they all have in common is the larger format size, which paves the way for producing ultimate image quality and beautifully defocused backgrounds called bokeh.
Read on to find out all the perks of a Canon full-frame EOS and our recommendations for upgrading, even on the strictest of budgets, and how to save money with second-hand bargains without buying a lemon. Here’s everything you need to know…
WHY FULL-FRAME?
Discover why you should upgrade to a full-frame Canon right now
The full picture
Diese Geschichte stammt aus der November 2021-Ausgabe von PhotoPlus : The Canon Magazine.
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Diese Geschichte stammt aus der November 2021-Ausgabe von PhotoPlus : The Canon Magazine.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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