Photographing the best in the world? Fire as fast as you can every time he comes up for air.
MOST OF THE PHOTOGRAPHERS were set up at the front of the pool for the 100-meter butterfly final, but Jeff Cable decided to try for a different view of Michael Phelps in that event. You wouldn’t know it from the photo, but he was actually 20 rows up in the seats on the opposite side of the starting block.
Phelps would be in Lane 2, and Cable wanted a head-on position. “The photo spots on the other side had been taken,” he says, “but luckily there were a couple of spectator seats open a row behind the photographers, and one of them was right in front of his lane.”
Diese Geschichte stammt aus der November 2016-Ausgabe von Shutterbug.
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Diese Geschichte stammt aus der November 2016-Ausgabe von Shutterbug.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
“The Pano Rocks!”
THIS ONE SURE DOES, AND FOR MORE REASONS THAN YOU MIGHT EXPECT
Landscapes In Motion
HOW MICHAEL SHAINBLUM CAPTURES HIS TRULY BREATHTAKING IMAGERY
Shooting Stars
PREPARED FOR A METEOR SHOWER, A PHOTOGRAPHER FINDS THE NIGHT HAS A FEW SURPRISES IN STORE.
Shake It Up
EXPLORE CREATIVE TECHNIQUES TO ADD VARIETY TO YOUR PHOTOS.
Life Lessons
HOW INSTAGRAM AND AN IPHONE TURNED A HOBBY INTO A SECOND CAREER
Shutter To Think
EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT CAMERA SHUTTERS BUT WERE AFRAID TO ASK
Monochrome Master
THE BLACK-AND-WHITE MAGIC OF MAX VADUKUL
True Grit
CAPTURING AMERICAN TRADITIONS IN TIMELESS BLACK-AND-WHITE IMAGES.
Treasure Chest
WHAT’S THE REAL ATTRACTION—THE PHONE’S CAMERA OR THE CREATIVITY OF ITS APPS?
Invisible Man
HOW DAVID INGRAHAM TAKES STREET PHOTOGRAPHY BEYOND TRADITION.
