Stories Told In Glass

Willie Shand finds out more about the ancient art of stained-glass work.

- Willie Shand

THERE’S an old saying that a picture is worth a thousand words. This, of course, is something that’s been appreciated for thousands of years and certainly a long time before the invention of the camera.

Pictures can be a powerful way to convey a message.

Not only can a picture tell a story but, through the way the subject is portrayed, and with the skilful use of colour and light, the artist can influence the very mood and emotion of the viewer. This is nowhere more expertly done than in the art of stained glass.

Many of the finest examples of stained-glass work are to be found in our churches, cathedrals and other places of worship and that’s no coincidence.

Back in mediaeval times, there was little point trying to spread your message by written word as very few folk were able to read.

Through the use of pictorial windows, the stories could be taken to even the illiterate.

It has been said that such windows are sermons that reach the heart through the eyes instead of entering at the ears.

Seldom do they look more stunning than when you catch them with the sun’s rays streaming through, casting a wide spectrum of colour across the walls and floor.

These coloured patterns are ever-changing and ever-moving, changing in intensity with the position and strength of the sun.

By careful choice of colours the artist is able to create a relaxing atmosphere conducive to times of quiet and reflection.

Amazingly, the technique of creating stained-glass work has changed little since the 12th century.

To find out a little bit more about the craft I’ve come to the Perthshire village of Bankfoot to meet artist Pinkie Maclure who, with her partner John Wills, runs the small stained-glass business of Artisan Glass.