As I write this, it’s hard to take in that the last words Carla Zampatti said to me were: “I can’t wait to see our story in the magazine this month”. I was sitting two seats along from Carla at the opening night of Opera Australia’s La Traviata on Sydney Harbour. It was a beautiful balmy evening and we chattered happily about our joint love of Verdi, how thrilling it was to be out once more watching live opera and recollections of the wonderful day I had spent with The Weekly team at Carla’s home just before Christmas.
This story had been in the works for many months as I wrangled the busy timetables of Carla, her daughters and her grandchildren for what would be an unusually personal article about the importance of family to this icon of Aussie fashion.
In what I will always treasure as a very special time, Carla, her daughters, Bianca and Allegra, and her eldest granddaughter, Brigid, shared halcyon memories from their childhoods and paid tribute to their mum and nonna, a role model to each in varying ways.
Carla talked candidly about growing up in Italy, migrating to Australia, her two marriages, and shared her feelings about an ongoing romance with a special partner that had started more than two years ago. She was excited about what lay ahead for her fashion business, refusing to even consider the idea of retiring because she had too much yet to do.
Diese Geschichte stammt aus der May 2021-Ausgabe von The Australian Women's Weekly.
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Diese Geschichte stammt aus der May 2021-Ausgabe von The Australian Women's Weekly.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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