In 1893, on a lecture tour to Colorado Springs, she joined a group that made the arduous trek to the top of Pikes Peak. Overwhelmed by the view, she wrote in her notebook about “the sea-like expanse of fertile country . . . under those ample skies,” and “the opening lines of the hymn floated into my mind.” The lines are: “O beautiful for spacious skies, / For amber waves of grain, / For purple mountain majesties / Above the fruited plain!”
America the Beautiful was published in 1895 and later set to music by S.A. Ward. The two never met, but their work has inspired generations. Bates was surprised by the popularity of her poem and reflected that the “hold as it has upon our people, is clearly due to the fact that Americans are at heart idealists, with a fundamental faith in human brotherhood.”
The poem celebrates the beauty of the landscape as well as the love of soldiers for their country, the confirmation of liberty through law and the hope to “crown thy good with brotherhood / From sea to shining sea!”
George Caleb Bingham (1811-1879) painted View of Pike’s Peak in 1872. The Clovis people lived in the area around 11,000 BCE. More recently in has been inhabited by the Ute, Comanche, Arapaho and Cheyenne. The Ute called it “Sun Mountain.” The Arapaho called it “Long Mountain.” The Spanish called it “El Capitán.” Army Lieutenant Zebulon Pike named it “Grand Peak.” It became known as “Pike’s Peak” and, in 1890, it lost the apostrophe.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.