Gathering thoughts for one of the biennial Re-presenting Representation exhibitions that I curated at the Arnot Art Museum in Elmira, New York, I found paintings by Judith Belzer at a gallery on Newbury Street in Boston. Her paintings at that time were intimate examinations of the landscape that inspired the desire to develop a closer relationship with nature itself. As a New Englander I identified with her landscapes as well as with her philosophy and included one of her paintings in an exhibition in 1997.
Her world and world view were reoriented when her husband, writer Michael Pollan, was appointed to the faculty of the University of California, Berkeley. She, Michael and their son, Isaac, moved from bucolic northwest Connecticut to the hills of Berkeley, California. When I visited in 2004, Isaac happily told me his mother was painting in one of the bedrooms and, indeed, she was. Her work had changed. She had stepped back and was examining the structure of live oaks and eucalyptus and considering the fact that the beautiful eucalyptus was thought to be an invasive species and a known water guzzler while, at the same time, being a fire risk. I included the new tree paintings in an exhibition at John Pence Gallery in San Francisco in 2004 and in my final Re-presenting Representation exhibition the following year.
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Diese Geschichte stammt aus der Natural Beauty-Ausgabe von American Art Collector.
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artists’ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear King’s paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, it’s all about balance, which can mean many different things in a composition, but for Louis, it’s about balancing his female figures among a unique landscape of color.
