Memento mori. Join the Dance #2. 2012
Deeply immersed in the human condition, the work of German artist Gerd Paulicke examines both the most universal and the most personal matters. Tackling themes of transience, wisdom, knowledge, identity, and personal experience, he embarks on an artistic odyssey through the world of sculpture and installation. His work's physical and psychological interplay creates tension, putting the observer, the human, at the center. Engaging and meditative, his works invite the viewer to ponder on his own life, limits, and environment.
Chair. 2014 Work in an ongoing process electrical installation/mixed media 88 x 40 x 48 cm. current quantity 15
CONTEMPLATIVE SELF-PORTRAITS
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Diese Geschichte stammt aus der The Gold List Special Edition #7-Ausgabe von Art Market.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Katja Nordmeyer – Cracks, Beauty, and Soul
Katja Nordmeyer's career initially took her into the fashion world, but her passion for painting never left her, and she always felt that painting was what she was destined to do.
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Negar Jahanbakhsh (b. 1986, Isfahan) is an internationally award-winning Iranian artist who exhibited her art in countless solo and group exhibitions around the globe, participated in auctions and was awarded prestigious prizes for her unique art.
An Exclusive Interview With Guillermo Lorca
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An Exclusive Interview With Kathryn Jacobi
Sleepwalking Through the Apocalypse.
An exclusive interview with Lucas Lamenha
"The following pieces are part of a new collection developed from universal pop culture references and bring new characters and elements created from memories and inspirations of my daily life and reflections."
NATAŠA GREGORIČ NABHAS
Dialog with Monet
Katja Tomzig
CREATING A NEW WORLD
IVONNE WAISSMANN
capturing beauty
EDSON CAMPOS
Born in Rio de Janeiro, Brazil, Edson Campos has enjoyed sketching and painting since childhood.
Viktoria Ganhao
BETWEEN SUBTLE FIGURATION AND LYRICAL ABSTRACTION
