IN 1987, COMPOSER JOHN CAGE wrote a four-page piece for organ called ORGAN2/ASLSP, an adaptation of Aslsp, As SLow aS Possible (1985), which he wrote for piano. Each note decays as soon as it’s been played on the piano but, on the organ, the note can be maintained for as long as the performer wishes or deems ‘possible’. Cage didn’t write a time signature, nor does his score adhere to conventional values. Thick horizontal bars follow each note, the length of which equate to a percentage of the pre-determined duration of the entire performance. Over the years, organists have competed to make their performance the longest: slow is always relative.
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Diese Geschichte stammt aus der Issue 243 - June - August 2024-Ausgabe von Frieze.
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I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration
Tell It Slant
Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions
Dean Sameshima
What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.
Nicole Wermers
Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.
Greater Toronto Art 2024
Museum of Contemporary Art, Toronto, Canada
Echoes of the Brother Countries
In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.
Pierre Huyghe
A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).
Inward Yearnings
Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work
The Promise of the Past
Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives
Where Is Everyone?
Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture
