THE Southern Rocky Mountains are capped in snow and plainly visible from Colorado’s South Platte River Valley, where Denver is located. This is where fiction writer Kali FajardoAnstine was born and raised and where she still calls home. Denver and its surrounding area is also the setting of her two books, both published by Penguin Random House imprint One World: the story collection Sabrina & Corina, which was a finalist for the 2019 National Book Award, and her new novel, Woman of Light, released in June.
Although the sun shines brightly the morning we’re set to meet, the spring air in Denver is crisp. Fajardo-Anstine picks me up from my hotel in the Capitol Hill neighborhood, rolling up in her compact SUV. She is sporting a Southwestern chic ensemble: a pair of boots, fitted jeans, and a glamorous black blouse. We’re about to embark on a tour of her personal landmarks in the city.
“I began writing the novel long before Sabrina & Corina, when I was still a teenager,” she tells me as we pull out into traffic. The second oldest of seven children, FajardoAnstine recalls strangers expressing dismay at the size of her family. “But what really got some people,” she says, “is that my parents had six daughters and only one son. I remember people saying they felt sorry for my parents for having so many girls. There was an awful subtext there, that our lives as daughters weren’t as valuable as sons.”
Diese Geschichte stammt aus der July - August 2022-Ausgabe von Poets & Writers Magazine.
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Diese Geschichte stammt aus der July - August 2022-Ausgabe von Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
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READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
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SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
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MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
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AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
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TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
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IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
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