ON THE morning of September 10, 2021, I woke up at 6:50 AM and began my routine like any other school day. I made breakfast for my kids, packed their lunches, hugged them, and sent them on their way. Afterward I poured a cup of coffee and retired to my office to check my messages and my socials. Perusing my Instagram account, I saw that I had several message requests, which was nothing unusual, and I began the business of vetting them. The first of these was from a guy named J.T., or maybe T.J., who wore a trimmed goatee in the style of former major-league slugger Mark McGwire and straddled a muddy ATV in his avatar. I immediately figured him for somebody in one of my sports groups. I was wrong. His message read: "There's a special place in hell for people like you. I hope you burn."
This guy might be onto something, I thought. After all, I was far from perfect. I drink too much, I cuss like a longshoreman, and I've had countless moments of weakness. But why was his animosity directed at me? I wasn't going to give it much thought and moved on to the second message, which was from another guy with a goatee: "Don't ever set foot in Texas, if you value your life. I'll be waiting for you." Um, okay. That seemed like a lot of hostility for a Friday morning, but we live in troubled times. I wasn't planning any trips to Texas, SO after my initial momentary unease, I let that one go as well, despite its threatening tone. The third message read: "You probably f*#k your daughter's, you sick f*#k.” Confused and a bit shaken, I proceeded to my Facebook account, where four more message requests awaited me, including two more threats, along with a vile screed rife with misspellings proclaiming me "a filthy pedo who should rot in hell."
Diese Geschichte stammt aus der September - October 2022-Ausgabe von Poets & Writers Magazine.
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Diese Geschichte stammt aus der September - October 2022-Ausgabe von Poets & Writers Magazine.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhang’s brilliant collection, The Sorrows of Others, within the first few paragraphs— sometimes the first few sentences— I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK White’s debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
