Harsh Goenka, Chairman, RPG Group
Common perception and public commentary certainly seemed to corroborate his observation and I was also inclined to agree with him. After all, business discourse in our country since the last decade has overwhelmingly been dominated by a few families and they aren't Marwaris!
Just the other day, or so I felt, the Birlas, Singhanias, Bajajs, Mittals had been making headlines. But they were now no longer visually prominent. Had they really lost the Midas touch? The comment got me thinking and intrigued enough to delve into it.
My first point of search was data on the Top 50 Business Houses in India. In 1964 there were 13 top Marwari families comprising 26 per cent of the highest echelon in our country. In 1990 the figure had increased to 14 families comprising 28 per cent, and in 2000 it remained static at 14 Marwari Business Houses encompassing 28 per cent of the pie. Consulting the Forbes list of billionaires revealed another interesting statistic. Comparing the number of Marwaris in 2013 that made it to the list of top 100 billionaires of India with those in 2022 showed that while there were 29 Marwaris in 2013, in 2022 the number had gone down to 26, but the number of Marwaris in the first 10 had risen from 2 to 4 in the same period.
While these figures showed the community certainly remained as relevant as in earlier decades as one of the top wealth creators of our country, it was equally obvious they no longer occupied center stage in public discussions.
Diese Geschichte stammt aus der November - December 2023-Ausgabe von MARWAR India.
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Diese Geschichte stammt aus der November - December 2023-Ausgabe von MARWAR India.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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HAUTE HOROLOGY
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padhaaro saa
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Band, Baajaa, Budget
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RARE Collectibles
Highlights of dart events & ExMBILS
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Director of the Serendipity Arts Foundation and the Serendipity Arts Festival, Smriti Rajgarhia, is trained as an architect with a Masters in Design. She began her career in the arts more than two decades ago by working with a private archive in New Delhi. While creating a museum space, her interest expanded into bringing art to the public and contextualising it through education and awareness. Smriti has also curated exhibitions on subjects that reflect the history and relevance of archives.
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HOBBY STORE HAULS to Hermis Bags
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