In that sense, I was terrified of failing to do them justice. Writing is not something I'm accustomed to thinking about it's impulsive, a gravitational pull like rolling down the hill. Words spill out. They aren't necessarily good, in fact early on they're awful, but that first layer of frenzied sentences is akin to an ugly slab of clay. Once it's down, I can mold it.
I have little formal training in creative writing, but I have spent years of my life trying to use words to generate action. As a human rights lawyer, I write every day. However, I usually must do so in a way that focuses on facts. Human rights issues are politically sensitive, so it's important to be precise and accurate with accusations, without exaggeration or inflammatory speech. This precaution often takes the emotion out of writing.
Diese Geschichte stammt aus der May - June 2024-Ausgabe von Writer’s Digest.
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Diese Geschichte stammt aus der May - June 2024-Ausgabe von Writer’s Digest.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Writing for a Warming World - Imagining the overwhelming, the ubiquitous, the world-shattering.
Climate change is one of those topics that can throw novelists—and everyone else—into a fearful and cowering silence. When the earth is losing its familiar shapes and consolations, changing drastically and in unpredictable ways beneath our feet, how can we summon our creative resources to engage in the imaginative world-building required to write a novel that takes on these threats in compelling ways? And how to avoid writing fiction that addresses irreversible climate change without letting our prose get too preachy, overly prescriptive, saturated with despair?
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WD chats with the National Ambassador of Young People’s Literature.
The Horrors of Grief
Whether hot off the presses or on the shelves for years, a good book is worth talking about.
The Mystery of Growing Up
New York Times-bestselling author Jasmine Warga tackles a new genre with her signature blend of empathy for her readers, agency for her characters, and the belief that art is the great connector.
Education
Even if it's not your thing, you're probably familiar with the term dark academia.
A Do-Over Romance
Karin Patton, the first-place winner of the 24th Annual Writer's Digest Short Short Story Awards, shares a funny story about secondchance love and a brief Q&A.
Everyday Wonder
How to mine awe from the mundane
From Ordinary to Extraordinary
Unveil the hidden beauty in the facts and transform your nonfiction with the power of wonder.
Childhood: Our Touchstone for Wonder
How to get in touch with Little You and create big new work for today.
Agent Roundup
22 agents share details, about what kind of writing will pique their interest and offer tips for querying writers...