Aditya Sarpotdar’s father Ajay Sarpotdar, was the former president of the Akhil Bharatiya Marathi Chitrapat Mahamandal, his grandfather, Vishwas Sarpotdar, was a renowned Marathi filmmaker, famous for social drama. Aditya’s great grandfather, N.D. Sarpotdar, was a pioneer in Indian cinema. As we begin the interview, he waxes eloquent about growing up in a family which lives, breathes and dreams cinema. He was just 21 when he directed his first Marathi film Uladhaal. He followed it with thought provoking, as well as entertaining films in Marathi like Satrangi Re, Narbachi Wadi, Classmates, Faster Fene, Mauli, Zombivli, and Unaad. The films touched a variety of genres, ranging from drama, comedy to horror and showcased his versatility. After making a pioneering movie The Sholay Girl in Hindi, on stuntwomen, he segued into the horror genre with back-to-back release, Munjya and Kakuda this year. While Munjya is a sleeper hit and has connections to the wider Stree universe, Kakuda didn’t get the same amount of appreciation. Aditya, however, feels that there’s much scope for horror in India, especially in the horror-comedy subgenre. Over to him on a refreshing take on his brand of cinema.
MUNJYA HAS BEEN RECEIVING GREAT LOVE FROM THE AUDIENCE...
The last two months have been crazy due to the response we’ve received at the box office. We have received really good feedback from the audience. It’s been a whirlwind as Munjya is receiving so much love from all over.
YOU STARTED YOUR CAREER AT A YOUNG AGE. WHAT MOTIVATED YOU TO ENTER THE FILM INDUSTRY?
Diese Geschichte stammt aus der August 2024-Ausgabe von Filmfare.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der August 2024-Ausgabe von Filmfare.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
Breaking free
NIKKHIL ADVANI'S MAKING WAVES WITH HIS OTT DEBUT, FREEDOM AT MIDNIGHT. HE TALKS ABOUT ITS GENESIS, HIS ASSOCIATION WITH KARAN JOHAR, AND WHAT'S REAL STARDOM WITH SRIJITA SEN
DECK THE HALLS
Chris Evans and Dwayne Johnson join Tanzim Pardiwalla over a video call about their forthcoming Christmas film, Red One, possible Bollywood crossovers and their love for India
Class Act
NEHA DHUPIA SHARES THE SECRET OF JUGGLING MOTHERHOOD AND CAREER WHILE STAYING RELEVANT WITH FARHANA FAROOK
Deep end of the Ocean
Cancer survivor Mahima Chaudhary tells Farhana Farook that playing a similar person in The Signature proved cathartic for her
DESTINY'S WILD CHILD
ALAYA F CAUGHT IN A CONVERSATION WITH JITESH PILLAAI
SEOUL CONNECTION
Director Hwang Dong Hyuk and lead actors Lee Jung Jae and Wi Ha Joon of Squid Game fame talk about the global phenomenon with Tanzim Pardiwalla
"Smita was a victim.not a villain"
Manya Patil-Seth tells Farhana Farook why her late sister Smita Patil was a tragic contradiction – a pioneer of an actor but a prey of emotions
Best of Shatrughan Sinha's Rapid fire
With democracy facing a near-death situation in most of India's neighbouring countries, what, according to you, is the reason why Indian democracy is still standing strong in the current times? Gaurav Pant, New Delhi
THE RISE AND RISE OF PUSHPA 2
When Allu Arjun went to Patna around a month ago to showcase the trailer of Pushpa 2, naysayers mocked the move, stating that he's making a mistake about taking a Telugu film there. Guess what, the actor had the last laugh.
girl, uninterrupted
Fatima Sana Shaikh is so candid and forthright you don't believe she's a star.
