KRITI SANON LOOKS LIKE AN ANGEL AND ACTS LIKE SHE WAS BORN WITH A CLAPBOARD IN HER HAND.
She's in London and we connect over a long-distance video call which turns into an audio call due to bad connection. I can feel her joy as she describes the sights and the sounds of the English capital and how coming here has always been a soothing process for her. She's extremely pretty and not just a pretty face. Her rogue robot avatar in Teri Baaton Mein Aisa Uljha Jiya sent a chill down your spine. Till that point it was a comedy and then suddenly turned into a thriller. Tell her that and she beams big time and adds you've made her day. Likewise, she got the audience batting for her all the way when she played a surrogate mother who brings up her child against all odds in Mimi. We loved her sassy avatar in Bareilly Ki Barfi as well.
She's lived a decade in the big, bad world of showbiz but hasn't lost her innocence. She still approaches every role with a child-like glee, looking forward to losing herself in the magic of cinema. She's happiest when she's on the sets and even on her holiday, a part of her is counting the days towards facing the arclights again. Presenting excerpts from a straightfrom-the-heart chat-a-thon.
What’s been keeping you busy these days?
Currently, I’m enjoying my holiday. When I’m not working on a film, I like to keep this time free to travel with friends, cousins and my sister. This has become a summer tradition, which I started last year and am continuing this year. Of course, if there’s a film shooting that takes priority.
You’ve been in the industry for almost a decade now. Does it still feel like a dream?
Diese Geschichte stammt aus der August 2024-Ausgabe von Filmfare.
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Diese Geschichte stammt aus der August 2024-Ausgabe von Filmfare.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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Shatrughan Sinha's Rapid fire
Rapid fire
Women's era
Kiran Rao, Payal Kapadia and Shuchi Talati are redefining contemporary Indian cinema by placing women at the centre of their narratives, offering a refreshing perspective through the female gaze. Their films, Laapataa Ladies, All We Imagine As Light, and Girls Will Be Girls, not only explore women-oriented stories but also challenge the traditional male-dominated lens of storytelling, creating nuanced portrayals of women's experiences, aspirations and struggles.
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UTTAR PRADESH CAME ON BOARD AS AN ASSOCIATE PARTNER FOR FILMFARE OTT AWARDS 2024
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THE DANUBE PROPERTIES FILMFARE OTT AWARDS 2024 WAS A RESOUNDING SUCCESS. DEVESH SHARMA PROFILES THE WINNERS
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LEGENDARY FILMMAKER SHYAM BENEGAL (DECEMBER 14, 1934-DECEMBER 23, 2024) IS NO MORE. DEVESH SHARMA TAKES A BRIEF LOOK AT HIS LIFE AND CAREER
WINNING HEARTS
HYUNDAI MOTOR INDIA LIMITED ANDFILMFARE OTT AWARDS 2024:A CELEBRATION OF EXCELLENCE