“My mother instilled a love of the creative arts by regularly taking me to the theatre, ballet, art galleries and concerts from an early age,” recalls Sarah. “She had been an amateur actress in south Wales, and when the family came to London, the first thing she did was to join a local society, The Circle. They’d put on productions at local gala festivals.
“At that time, I didn’t have any great desire to be an actress. But, as a child of about eight, I helped backstage, painting scenery, making props and was gradually given parts. And then, when I was 17, I played Alice in Alice in Wonderland and Through the Looking-Glass at the Toynbee Theatre in London.
“So, it was a sort of gradual awakening to the pleasure of being on stage. I was quite a shy child and didn’t take part in school plays. And, in fact, I heard from a fellow pupil years later that when I said I’d like to go to drama school, my whole class fell about laughing. Which is very nice but I had the last laugh I guess.”
After graduating from the Rose Bruford Training College of Speech and Drama, Sarah joined the repertory company at Chelmsford, Essex.
“It was a great start, because you were able to learn your skills on the job, as it were. And reps just don’t exist in the same way today. I played juveniles, maids, children, old ladies and character parts. It was a wonderful start to the business.
“We did a new play every two weeks, and I also did weekly rep at Southwold, which was an experience in itself. Monday the first play went on, Tuesday act one of the next play was rehearsed, Wednesday act two, Thursday act three, Friday a run of the play, and Saturday dress rehearsal. All the time performing the first play in the evening.
Diese Geschichte stammt aus der March 2023-Ausgabe von Best of British.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent ? Anmelden
Diese Geschichte stammt aus der March 2023-Ausgabe von Best of British.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
It's a Lottery
Claire Saul celebrates 30 years of the National Lottery Heritage Fund, which supports heritage projects across the United Kingdom
In Memoriam
Michael Foley pays his respects to those who have made the ultimate sacrifice
Leader of the Pack
Paul Williams examines the history of War Horse
French Fancies
Alain Carraze explains how cult British shows are perceived as the best on television in France
Redheads & Rollers
Simon Stabler talks to Crossroads' Tony Adams
Bringing Memories Back to Life
Richard Haines on the importance of making the most of your vintage photographs
POSTCARD FROM KENT
Bob Barton investigates a network of caves, takes a ride on a thriving heritage railway, and marvels at the beauty of the garden of England
Laughter in the Air
Chris Hallam remembers writer, television presenter and comedian Barry Took
My Good Old Days
Tim Quinn takes us behind the scenes of Leeds City Varieties
The Battersea Bardot
David Barnes remembers the star of Cathy Come Home