GREEN SLEEVES
The New Yorker|September 09, 2024
“What I want to know,” the woman said to the therapist, “is why the voices always say mean, terrible things.
Sigrid Nunez
GREEN SLEEVES

Why don’t they ever say things like ‘You’re a good person. You’re a great, smart, wonderful guy, your life matters, and you deserve to be happy’? I mean, instead of saying, ‘You’re no good, your life is worthless, everyone hates you, you should hurt yourself, you deserve to be hurt, you deserve to die.’

“Even worse,” the woman went on, “why do the voices always say things like ‘Go shove some innocent stranger in front of an oncoming train’? Instead of, like, ‘How about helping that little old lady with her bags?’ ”

He wanted to laugh, but the woman was being earnest. She was young—early thirties, he guessed—with an unremarkable face except for her eyes, so dark you could barely distinguish iris from pupil. She stared at him from under thick bangs, the only part of her black hair that had been streaked blond. Kiss Me Deadly red lipstick, and a long-sleeved forest-green dress of some suède-like fabric that looked vintage. His gaze kept being drawn to her gleaming manicure, each copper-colored nail like a Japanese beetle.

He could have told her that what she was saying wasn’t true. The voices didn’t always bully or suggest evil acts. Sometimes their words were impersonal, and might even be kind. Sometimes they didn’t speak at all but only breathed heavily—which could, he supposed, be as sinister as threats or curses. Some hummed, or chanted, or sang. “I hear lullabies,” one patient had told him.

If he’d wanted to get into a conversation with Lady Greensleeves, he might have said all this. He might have added the obvious: non-negative voices were not necessarily a positive thing. The problem with the lullabies was that they drove a woman of fifty to rock back and forth and suck her thumb. And, of course, there was a certain kind of person, one of the worst kinds of person, who seemed to live with a voice continually telling them how great they were, and who felt victimized because their perfection was not universally acknowledged.

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Diese Geschichte stammt aus der September 09, 2024-Ausgabe von The New Yorker.

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