Why don’t they ever say things like ‘You’re a good person. You’re a great, smart, wonderful guy, your life matters, and you deserve to be happy’? I mean, instead of saying, ‘You’re no good, your life is worthless, everyone hates you, you should hurt yourself, you deserve to be hurt, you deserve to die.’
“Even worse,” the woman went on, “why do the voices always say things like ‘Go shove some innocent stranger in front of an oncoming train’? Instead of, like, ‘How about helping that little old lady with her bags?’ ”
He wanted to laugh, but the woman was being earnest. She was young—early thirties, he guessed—with an unremarkable face except for her eyes, so dark you could barely distinguish iris from pupil. She stared at him from under thick bangs, the only part of her black hair that had been streaked blond. Kiss Me Deadly red lipstick, and a long-sleeved forest-green dress of some suède-like fabric that looked vintage. His gaze kept being drawn to her gleaming manicure, each copper-colored nail like a Japanese beetle.
He could have told her that what she was saying wasn’t true. The voices didn’t always bully or suggest evil acts. Sometimes their words were impersonal, and might even be kind. Sometimes they didn’t speak at all but only breathed heavily—which could, he supposed, be as sinister as threats or curses. Some hummed, or chanted, or sang. “I hear lullabies,” one patient had told him.
If he’d wanted to get into a conversation with Lady Greensleeves, he might have said all this. He might have added the obvious: non-negative voices were not necessarily a positive thing. The problem with the lullabies was that they drove a woman of fifty to rock back and forth and suck her thumb. And, of course, there was a certain kind of person, one of the worst kinds of person, who seemed to live with a voice continually telling them how great they were, and who felt victimized because their perfection was not universally acknowledged.
Diese Geschichte stammt aus der September 09, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der September 09, 2024-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
Bereits Abonnent? Anmelden
YULE RULES
“Christmas Eve in Miller’s Point.”
COLLISION COURSE
In Devika Rege’ first novel, India enters a troubling new era.
NEW CHAPTER
Is the twentieth-century novel a genre unto itself?
STUCK ON YOU
Pain and pleasure at a tattoo convention.
HEAVY SNOW HAN KANG
Kyungha-ya. That was the entirety of Inseon’s message: my name.
REPRISE
Reckoning with Donald Trump's return to power.
WHAT'S YOUR PARENTING-FAILURE STYLE?
Whether you’re horrifying your teen with nauseating sex-ed analogies or watching TikToks while your toddler eats a bagel from the subway floor, face it: you’re flailing in the vast chasm of your child’s relentless needs.
COLOR INSTINCT
Jadé Fadojutimi, a British painter, sees the world through a prism.
THE FAMILY PLAN
The pro-life movement’ new playbook.
President for Sale - A survey of today's political ads.
On a mid-October Sunday not long ago sun high, wind cool-I was in Harrisburg, Pennsylvania, for a book festival, and I took a stroll. There were few people on the streets-like the population of a lot of capital cities, Harrisburg's swells on weekdays with lawyers and lobbyists and legislative staffers, and dwindles on the weekends. But, on the façades of small businesses and in the doorways of private homes, I could see evidence of political activity. Across from the sparkling Susquehanna River, there was a row of Democratic lawn signs: Malcolm Kenyatta for auditor general, Bob Casey for U.S. Senate, and, most important, in white letters atop a periwinkle not unlike that of the sky, Kamala Harris for President.
