On a bright, breezy Saturday not long ago, Sedona Murphy gave her homing pigeons away. Earlier that morning, the birds had flown around the neighborhood, looping over the shaggy old trees and the peaked rooftops of South Boston before returning to their gray shed in the Murphys' back yard. They then toddled obligingly into their wooden case. These were racing birds, accustomed to being crated and carried, so the close quarters were nothing new, and they had no way of knowing that this was the last time they would ever fly free.
The pigeons were being given away because the Murphys were moving, and the pigeons would not assent to the move. No matter how much nicer the yard would be at the Murphys' new house, in Southborough, a suburb west of Boston, the pigeons would always consider home to be the narrow wooden house on East Fifth Street that the Murphys were leaving behind. If the birds moved to Southborough and ever got out of their coop, they would race back to Fifth Street. Once in a while, pigeons that have to be moved that is, pigeons whose owners are moving-can bond to a different coop. But, most of the time, birds raised by hand in a coop have no talent for living in the wild, so homing pigeons that have to be moved must be caged for the rest of their lives they become what are called "prisoners." In the best of circumstances, prisoners are kept in a large aviary, so that they have room to fly even though they can't be let loose; in the worst, they never fly much again.
Diese Geschichte stammt aus der September 04, 2023-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der September 04, 2023-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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