When “Stereophonic,” David Adjmi’s magnum opus about a nineteen seventies rock band recording an album, débuted last year, at Playwrights Horizons, the Off Broadway venue gave over part of its lobby to a vintage-clothing shop. The theatre knew that spending more than three hours with Adjmi’s characters, each one gorgeously outfitted in the designer Enver Chakartash’s flowing bell-bottoms and deep-cut kimono tops, would turn the audience into groupies. It wouldn’t matter that those same characters had been tiresome or vain or careless with one another—the often dreamy, sometimes electrifying flower-rock songs, written by Will Butler (formerly of Arcade Fire), would make us imagine our own green selves up there, and want the velvet pants to prove it.
Diese Geschichte stammt aus der May 06, 2024-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der May 06, 2024-Ausgabe von The New Yorker.
Starten Sie Ihre 7-tägige kostenlose Testversion von Magzter GOLD, um auf Tausende kuratierte Premium-Storys sowie über 8.000 Zeitschriften und Zeitungen zuzugreifen.
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QUARTET ISLAND
Mendelssohn on Mull celebrates chamber music away from urban pressures.
FIX YOU
The self-help positivity of Coldplay.
ILLUMINATIONS
Suzanne Jackson captures the transformative power of light.
RAT PACK
The classic rodent studies that foretold a nightmarish human future.
ROYAL TREATMENT
The unrivalled omnipresence of Queen Elizabeth IL.
WELL, WELL, WELL
Eating—and not-in the epicenter of hype diets.
NEWARK STATE OF MIND
Mayor Ras Baraka's reasonable radicalism.
DOOM SCROLLING
Social media and the teen-suicide crisis.
THE WORKER REVOLT
Harris and Walz try to stop blue-collar Americans from drifting to Trump.
THE CHIT-CHATBOT
Is talking with a machine a conversation?