Some of my earliest memories are of summers with my grandparents, in New Delhi. I spent long, scorching months drinking lassi, playing cricket, and helping my grandparents find ripe mangoes at roadside markets. Then I’d return to the U.S., my English rusty from disuse, and go months or years without seeing them. At some point, my India trips started to feel like snapshots of loss. My grandfathers died suddenly, probably of heart attacks. My Biji, my father’s mother, fell and broke her hip in her seventies, and she spent her last years moving back and forth between her bed and her couch. My Nani, my mother’s mother, developed excruciating arthritis in both knees; in order for her to leave her fifth-floor walkup, my uncle practically had to carry her down the stairs. I have always wondered whether their fading vitality—the way their worlds contracted and their possibilities vanished—was an inevitability of aging or something that could have been averted.
Diese Geschichte stammt aus der April 22 - 29, 2024 (Double Issue)-Ausgabe von The New Yorker.
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Diese Geschichte stammt aus der April 22 - 29, 2024 (Double Issue)-Ausgabe von The New Yorker.
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HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.