POINT BLANK
The New Yorker|November 27, 2023
How do you tell the story of a murder you don't remember?
EREN ORBEY
POINT BLANK

When my older sister, G, was a child, she bought a pet chick from a street vender near our family’s home in Ankara, Turkey. The bird had a pale-yellow coat and tiny, vigilant eyes. G would place him on her shoulder and listen to him cheep into her ear. But he soon grew into a rooster, shedding feathers and shitting on the furniture, so our grandfather had a housekeeper take him home to kill for dinner. In a school essay, my sister described this experience as her “first confrontation with death.”

I wrote my own essay about the chick many years later, for a high-school English class. The assignment was to interview relatives and retell a “family legend.” G’s tale, which she repeated often, hinted at a strange, wondrous chapter of our past, before our parents immigrated to the United States and had me. I read G questions from a how-to handout on oral history, relishing the excuse to pry. But there was another encounter with death that I didn’t dare ask about, an untold story that involved the two of us. One night in August of 1999, on a summer trip back to Ankara, our dad was murdered. G was twelve and I was three. We were both there when it happened, along with our mom, but I was too young to remember.

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